He wants rest and time to sort out the life he used to have, which one of the ladies claims to have done already. These differences between the three main characters and their conflicting values continue throughout the whole play. They come from different places, are used to different cultures, used to have different jobs and had different experiences in their lives. For this reason they developed different values and beliefs which are conflicting now that they are placed together with nothing else but themselves and each other.
Even though, the characters literally dwell in Hell, the environment is not the reason for this Hell to be a dreadful place. The real torture are the conflicts occurring due to the differences in values. The characters therefore are each others torturers. Since there are no windows, neither mirrors, there is no escape from each other and the conflicts described in the last paragraph continue endlessly. Those conflicts create Hell because the characters do not understand or sympathize with each other.
However, Inez is not easily convinced, which makes Garcin want to convince her even more. In this way, Inez is Garcins torturer. What we know as Hell, a dreadful torturing place, is now within the characters rather than surrounding them. The main thought of existentialism is that one has freedom of choices but takes responsibility for the effects. Clearly, Garcin does not do this as he tries to deny belonging in Hell. On the other hand, Inez is true to herself and the others.
Existentialism stands for trusting yourself, your choices and your judgements. In the end of the play Garcin begs to be released from the room and then suddenly the door opens. He could now flee, but instead of trusting his judgements he stays in order to convince Inez. Had he been more existentialist, he could have fled from Hell. All in all, Sartre managed to create the ultimate image of existentialism which the could only do by alienation of his characters and thereby creating this psychological Hell.
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Your research paper is written by certified writers Your requirements and targets are always met You are able to control the progress of your writing assigment You get a chance to become an excellent student! I believe in living each day to the fullest I believe in an idea that I once learned from my grandfather, an idea that emphasizes you to do what you love in life and to be with the people you love She wishes she had been different, but at the same time, she feels no guilt.
Her dissociative personality plays a catalyst for her uncaring and almost sociopathic tendencies. She does appear to care about Florence and what happened to her, but it is unclear whether she asks because she cares about Florence or because she still wants to dominate Florence.
Aside from their internal struggles, the characters are also experiencing character versus character conflicts with each other. There are struggles between each of the characters individually; however, they are all connected, so each conflict impacts another conflict. Inez is clearly attracted to Estelle. But Estelle cannot respond to his advances because women are expected to remain faithful to their mates as opposed to the sexual double standard that men are allowed to be more promiscuous.
Garcin is uninterested in Estelle but is willing to give her what she wants if she is willing to assure him he is not a coward. Although Estelle does this, Inez points out how obvious it is that Estelle is lying. Garcin realizes that the person he needs to convince is Inez. He wants to convince her that he was not acting cowardly when he ran away. Each conflict feeds into another conflict in a circular motion between the three characters.
Both Estelle and Garcin are attempting to maintain the image they have of themselves. In attempting this, they each lie about how they ended up in the room. However, the truth is brought out through the arguments between them.
Garcin is the first to admit his true nature when Inez insists he is lying about being a stand-up pacifist with no reason to end up in hell. Ironically, the author provides for ending up in hell have nothing to do with how he died or ended up in the room. He is hesitant at first to admit how he treated his wife because he does not want it to affect his image as a political activist. Once Garcin admits what he had done, both Inez and Garcin turn on Estelle.
Estelle holds on to her secrets much longer than Inez or Garcin did. She only admits what she had done when Inez and Garcin confront her with their theories. When Estelle first walked into the room and saw Garcin with his hands over his face, she exclaimed she knew it was the man with no face. Inez and Garcin remembered her saying that and badgered her asking who the man with no face was.
Still, Estelle maintained her innocence until they decided he must have shot killed himself over her. After badgering her over causing a man to kill himself; she finally tells the story of the young man and their baby. Interestingly, once the story is told, Estelle shows no guilt over her actions. Additionally, she feels no responsibility for the father her of her baby killing himself. Later in the play, when trying to convince the other two how attractive she is, she even brags that a man shot himself over her.
The third conflict played out in this story - the character versus destiny conflict - rhetorical devices to show the characters have no control over life. Although they eventually admit their sins, Garcin and Estelle start out insisting they do not belong in there. Garcin feels he was wrongfully judged and Estelle insists she was there by mistake. Neither wants to face the fact they belong in hell because of the things they did. The other part of this conflict is they each have to face their own hell.
They each enter the room expecting something drastically different than what they found. Garcin, at first, expects to be physically tortured. Once he realizes he will spend eternity in that room, he sees it as an opportunity to think about everything and work things out in his mind.
Inez, at first, expects to see Florence in the room. When she realizes she will not be able to see Florence again, she sets her sights in Estelle but quickly realizes that will never come to fruition. Estelle, at first, expects to see the man with no face and is happily surprised to see that he will not be there.
Estelle then sets her sights on Garcon. Although she is led to believe she may have a chance to win his attention, she is let down when Garcin announcing he can not be with Estelle with Inez in the room. They each realize they have to spend eternality seeing and being with the thing they want, but not being able to have it.
The three characters are in eternal conflict with each other because of who they are.
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Keywords: no exit sartre, no exit analysis, no exit essay Analysis of No Exit. No Exit by Jean Paul Sartre is a play that symbolizes the German occupation of France. He was a soldier in the French Army during World War II and had to face the humiliation of defeat and the suffering of war.
No Exit study guide contains a biography of Jean-Paul Sartre, quiz questions, major themes, characters, and a full summary and analysis. No Exit Essays: Over , No Exit Essays, No Exit Term Papers, No Exit Research Paper, Book Reports. ESSAYS, term and research papers available for UNLIMITED access.
Jean Paul Sartre’s created mysterious characters full of venomous conflict. This sample essay explores “No Exit” and the characters’ conflicts.5/5(1). An existential hero is one who stands by their decisions, won’t let others decide for them, and is responsible. No Exit’s characters unfold the sins the have committed with each other but none of them accept responsibility for their choices. They blame all of their choices on circumstances. The reason this room is considered existential [ ].